Additional Information
This music is excluded from Steam Family Sharing because: This content type cannot be shared
| Developer |
Silkersoft |
|
| ReleaseState |
released |
|
| Publisher |
Stuffed Wombat |
|
| Exclude from family sharing (exfgls) |
6 (This content type cannot be shared) |
|
| Store Release Date |
30 May 2025 – 23:34:39 UTC () |
|
| Primary Genre |
Unknown Genre (0) |
|
| Store Asset Modification Time |
30 May 2025 – 03:36:02 UTC () (1748576162) |
|
| MusicAlbumForAppID |
Mosa Lina (2477090) |
|
| MusicAlbumAvailableOnStore |
Yes |
|
| store_screenshot |
39eaf1993f0b9c745618155630f74e772e26e668/ss_39eaf1993f0b9c745618155630f74e772e26e668.jpg |
|
| First seen on SteamDB |
12 May 2025 – 15:55:09 UTC (), in changelist #28942558 |
|
Album Tracks
| Disc |
Track |
Name |
Duration |
ISRC |
| 1 |
1 |
uncertainty of outcome |
2:07 |
|
| 1 |
2 |
surface only |
2:08 |
|
| 1 |
3 |
wide wind |
2:08 |
|
| 1 |
4 |
you keep going downwards |
2:36 |
|
| 1 |
5 |
far away lights |
2:17 |
|
| 1 |
6 |
don't look down |
2:22 |
|
| 1 |
7 |
now |
2:18 |
|
| 1 |
8 |
parental approval |
1:55 |
|
| 1 |
9 |
no echo, only sound |
2:03 |
|
| 1 |
10 |
wait for the next one |
1:52 |
|
| 1 |
11 |
soft hill rolling |
1:57 |
|
| 1 |
12 |
lobby |
1:52 |
|
| 1 |
13 |
peak valley |
2:32 |
|
| 1 |
14 |
i remember how it was back then |
2:00 |
|
| 1 |
15 |
fluke |
2:05 |
|
| 1 |
16 |
one after the other |
2:18 |
|
| 1 |
17 |
the thin tower |
2:08 |
|
| 1 |
18 |
as expected |
2:04 |
|
| 1 |
19 |
respite |
2:30 |
|
| 1 |
20 |
warm welcome back |
2:36 |
|
| 1 |
21 |
tendril |
1:56 |
|
| 1 |
22 |
sightly sideways |
1:52 |
|
| 1 |
23 |
backwars |
2:00 |
|
| 1 |
24 |
sand |
2:00 |
|
| 1 |
25 |
a thin line of light |
2:00 |
|
| 1 |
26 |
hand in hand |
2:00 |
|
| 1 |
27 |
it will pass as well |
2:04 |
|
| 1 |
28 |
entrance |
1:48 |
|
| 1 |
29 |
corridoor |
2:08 |
|
| 1 |
30 |
you take a brief break and breathe |
2:05 |
|
| 1 |
31 |
external extension |
2:12 |
|
| 1 |
32 |
veil |
2:00 |
|
| 1 |
33 |
semitransparence |
2:00 |
|
| 1 |
34 |
it walks by |
2:00 |
|
| 1 |
35 |
expected reverence |
1:52 |
|
| 1 |
36 |
hollow |
2:00 |
|
| 1 |
37 |
empty pool |
2:12 |
|
| 1 |
38 |
receiving random |
2:12 |
|
| 1 |
39 |
the current moment |
2:08 |
|
| 1 |
40 |
and the next one |
1:57 |
|
| 1 |
41 |
back to now |
1:52 |
|
| 1 |
42 |
while |
2:00 |
|
| 1 |
43 |
performant |
2:08 |
|
| 1 |
44 |
xylophone drops |
2:08 |
|
| 1 |
45 |
tender |
2:01 |
|
| 1 |
46 |
engulfement |
2:11 |
|
| 1 |
47 |
always forward no return |
2:08 |
|
| 1 |
48 |
antistatic |
2:08 |
|
| 1 |
49 |
wide wild whistle white |
2:08 |
|
| 1 |
50 |
centerpiece |
2:08 |
|
| 1 |
51 |
downside up |
1:56 |
|
| 1 |
52 |
always |
2:08 |
|
| 1 |
53 |
we hold hands without looking |
2:08 |
|
| 1 |
54 |
space of worship |
1:56 |
|
| 1 |
55 |
yes |
1:57 |
|
| 1 |
56 |
twinkle |
1:52 |
|
| 1 |
57 |
it used to be different |
2:05 |
|
| 1 |
58 |
foregone feast |
1:45 |
|
| 1 |
59 |
haven |
2:32 |
|
| 1 |
60 |
keep coming closer please |
2:08 |
|
| 2 |
61 |
vinyard walk |
1:58 |
|
| 2 |
62 |
beautiful gravity |
1:58 |
|
| 2 |
63 |
shore |
1:58 |
|
| 2 |
64 |
you have left to go |
2:06 |
|
| 2 |
65 |
where and when |
2:24 |
|
| 2 |
66 |
tense |
1:54 |
|
| 2 |
67 |
soft acid lake |
2:24 |
|
| 2 |
68 |
done |
2:00 |
|
| 2 |
69 |
morning always is |
2:00 |
|
| 2 |
70 |
absent |
2:00 |
|
| 2 |
71 |
i love you |
2:41 |
|
| 2 |
72 |
static descending |
2:10 |
|
| 2 |
73 |
keys |
2:02 |
|
| 2 |
74 |
there could have been a garden |
2:02 |
|
| 2 |
75 |
felt |
2:13 |
|
| 2 |
76 |
big empty hall |
2:02 |
|
| 2 |
77 |
wide and silent steps |
1:57 |
|
| 2 |
78 |
it would have |
2:32 |
|
| 2 |
79 |
precognition |
2:24 |
|
| 2 |
80 |
subtemporal measurings |
1:53 |
|
| 2 |
81 |
reliability |
2:13 |
|
| 2 |
82 |
brom |
1:57 |
|
| 2 |
83 |
the always echo |
1:53 |
|
| 2 |
84 |
tall look out |
1:59 |
|
| 2 |
85 |
you do not any longer |
2:10 |
|
| 2 |
86 |
intermission |
2:06 |
|
| 2 |
87 |
solid ice above |
2:08 |
|
| 2 |
88 |
autoalienation |
2:20 |
|
| 2 |
89 |
good job |
1:55 |
|
| 2 |
90 |
now again again again |
2:04 |
|
| 2 |
91 |
tentative curvature |
1:45 |
|
| 2 |
92 |
almost always |
1:48 |
|
| 2 |
93 |
contact |
1:55 |
|
| 2 |
94 |
directed distance |
2:09 |
|
| 2 |
95 |
keep going please |
1:48 |
|
| 2 |
96 |
wave |
1:48 |
|
| 2 |
97 |
then back then |
1:45 |
|
| 2 |
98 |
it used to |
1:45 |
|
| 2 |
99 |
continue |
1:48 |
|
| 2 |
100 |
Mosa Lina |
2:15 |
|
| Key |
Value |
| Artist |
Tom Schley |
| Composer |
Not set
|
| Label |
Not set
|
| Othercredits |
Not set
|
Album Assets
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